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Colour emulsion is comprised of three layers of silver halide mixed with couplers and interlayers which filter specific light spectra. These end up creating yellow, cyan, and magenta layers in the negative after development. In effect film is a layer of gelatin on a plastic base. Over time ambient conditions, moisture, varying temperatures, residual chemical impurities etc. cause the 'gelatin' layer to deteriorate. Although this negative has been kept in jacket since it was taken around 20 years ago, you can see from the two enlarged clip areas in the original scan on the left that the negative is showing signs of deterioration. In Adobe Photoshop using the clone and healing stamp tool, it required patient digital repair work at up to 10x magnification to heal or clone from undamaged areas. I started in one corner and worked section by section across the image. I have also cropped the picture to improve the composition, this has also removed the cup which was visually distracting. After that I applied colour, saturation and contrast tweaks, the image was then sharpened slightly and the background smoothed out. A high quality TIFF image was then archived and put on an external hard drive, and a second lo-res copy made for web use. Fortunately in this case there were no scratches whatsoever on the negative; a full length scratch from poor lab processing will double the restoration time. This image, from scan to finish, took around two hours to resolve. However, it is such contemplative and elevating work.